Welcome to Blessing All the Birds, a feminist fan project focused on the work of songwriter Joanna Newsom. We see Newsom's work as feminist literature and our goal is to provide it the serious critical analysis it deserves, as well as to discuss her unique place in popular culture.
Contributing Authors

I was an English major with a focus on poetry writing at Harvard, and my poetry teacher gave me Joanna Newsom’s first CD— he was like that teacher who totally changes the course of your life. So I was super into The Milk-Eyed Mender, and then my friends invited me to go see Joanna Newsom play live when Ys came out. I felt like I’d been transported to another world. Ys has a lot to do with the death of a loved one and discovering your own creativity, all done through very mystical poetry, and I was also dealing with those same things. I felt like she was speaking directly to me the whole concert. I was like, “How can this happen?”

I listened to that album on repeat for so long. I could spend days trying to figure out just a single complex metaphor. The one that stands out to me is: “In the mud cloud, mica-spangled, like the sky’d been breathing on a mirror.” It’s like John Donne, who was a really early metaphysical poet, or Yeats. That image has so many layers and the ideas you can draw out of it are also manifold.

The main thing I learned in college is that if you’re going to make a piece of art, you’d better have some emotional urgency behind it; otherwise, it’s not worth making, and you’ll never accomplish anything with it. When I think of a performer who’s willing to be super weird and super naked and always writes with some kind of urgency, I think of Joanna Newsom. It’s a good lesson in being yourself. Live, she makes these faces, and she squats a little bit, and she is very physically involved with the instrument, which is cool. I try to do all that stuff, maybe not consciously, but I like to think that I’m not just standing around and staring at my shoes. I don’t really care about keeping up with appearances—I’ve pretended that the guitar is a machine gun and shot the audience with it. I saw a nine year old do something similar at the Rock ‘N’ Roll Camp for Girls showcase concert a few weeks ago. It was a little shocking.

Amy Klein of Titus Andronicus on Ys. This is obviously the better quote about Ys in Pitchfork’s fifteen year retrospective. Amy Klein is a really cool person and a great feminist activist. I did a protest against the Rape Cops in New York a few weeks ago with her. 
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